Fazıl Say’s music is a unique blend of his own creativity and the rich musical traditions of Turkey, which he draws upon to create powerful and emotive pieces. His works often combine elements of classical music, jazz, and Turkish folk music, resulting in a truly unique sound that has captured the attention of audiences around the world.
Despite his immense talent and success, Say has faced significant challenges in his career, particularly in relation to his outspoken views on politics and religion. His decision to declare himself an atheist on Twitter in 2012 led to a criminal investigation and charges of insulting religious values, which could have resulted in a prison sentence.
Despite the controversy surrounding his views, Say has remained dedicated to his craft and continues to create beautiful music that speaks to the human experience. His ability to push boundaries and challenge societal norms through his art is a testament to his courage and his commitment to artistic expression, even in the face of adversity.
Fazıl Say’s impact on the world of music cannot be overstated, and his legacy will undoubtedly endure for many years to come. His unwavering commitment to his art and his willingness to speak truth to power have made him not just a celebrated artist, but also a symbol of hope and resilience for people around the world.
Black Earth
Fazıl Say’s “Black Earth” is a captivating piano composition that draws its inspiration from the Turkish folk song “Kara Toprak” by Aşık Veysel, who was a legendary Turkish poet, musician, and central figure within the aşık tradition. Aşıks were traveling poet-musicians deeply rooted in Turkic cultures of Central Asia and Anatolia. They were known for their skill with the bağlama (a long-necked lute) and for songs that blended oral tradition, improvisation, personal narratives, and social commentary.
Aşık Veysel, born in 1894 and blind from a young age, is renowned for the depth of his lyrics, which often delved into love, philosophy, social issues, and spirituality. Aşıks like him were highly respected as preservers of cultural heritage and wisdom, and even though their tradition is less central today, they remain important figures in Turkish and Central Asian culture.
In this piece, Say masterfully blends traditional folk melodies with Romantic flourishes and hints of jazz, creating a sound that is as dynamic as it is emotionally rich. He skillfully utilizes muted tones in the introduction and outro to evoke the sound of a Saz, the traditional Turkish lute, paying homage to the song’s origins. The central sections then burst forth with contrasting styles and energy, mirroring the complex feelings often found in folk music.
“Black Earth” served as a pivotal moment in Say’s career, showcasing his ability to meld Turkish musical heritage with a modern classical sensibility and propelling him onto the international stage.
We talk a lot about him on The Other Tour – we hope you like his sound as well.
